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Nadha Sangamam Music Academy
Review by Kirran
"Vinod is an excellent and versatile musician. He is patient, easy-going, and always encouraging my son. I highly recommend him to music students of all levels. His patient personality, and wide knowledge of music make him a good choice for a music teacher."
Shruti J.
Review by Poornima
"He is an awesome teacher. He is talented one and teaches as per students knowledge. Very good, superb singer, cool and nice teacher. Highly Recommended!!!"
Ashwini N.
Review by Archana
"I am learning Carnatic music vocal under her from past 6 months. She is very good in teaching. Her style of teaching is remarkable, explaining each and every minute aspects and it's meaning and at the same time she is very patient also ,providing individual attention to each students. Mam is really..."
Ashwini N.
Review by Gopinadh
"I found Mrs. Ashwini as a dedicated and young professional classical music singer and a teacher. Noticed students of her varying from very young to elderly participants. Glad to find her (through UrbanPro) on my way of searching for a good teacher for my children in Bangalore. The best qualities I like..."
Ashwini N.
Review by Namitha
"Ashwini is an Excellent music teacher... She teaches both Carnatic music and devara naama. She inspires all her students by her dedication in teaching and she will make sure you are perfect before you go to next level... I have been learning basics of Carnatic music with Ashwini from 5-6 months now....."
Abhijith Sastry
Review by Sandhya
"Abhijith Shastry is an excellent trainer with a great voice. We (my daughters and I) have been home tutored by Abhijith for almost an year now. What I liked the most is his patience and temperament while teaching the young kids and he is quite friendly and approachable. He has enough clarity on the ragas/swaras..."
Lakshmi C.
Review by Venkatesh
"I am learning carnatic music from November . I learnt a lot from her. She has excellent knowledge in carnatic music. I learnt so many annamacharya keerthans from her. I sang some keerhthanas from my relatives they were shocked. My voice improved also. Thanks to Lakshmi madam"
Sharadha Sangeet Shala
Review by Chinmayee
"I'm very fortunate to be a student at Sharadha Sangeetha Shala. I'm learning Carnatic vocal from Vidhwan Rao R Sharath from past 10 months. I joined Sharadha Sangeetha shala when I had to prepare to present a carnatic vocalconcert as a part of my final year MA Music. I received an excellent guidance..."
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The word alaap means a dialog or conversation. Alaap is a dialog between the musician and the raga. The purpose of including an alaap in a composition is for the singer to set the scene for the composition itself. In order to tell a story emotionally,...
Raag is the backbone of Indian Classical Music. The word raag comes from Sanskrit word "Ranj" which means to delight, to make happy and to satisfy. Here it's necessary to clarify that not all raags project a happy mood. The raag can produce various moods...
Note on Maraga- Desi Talas Bharata’s Natya sastra contains detailed description of Tala Sastra. No List of Talas was given by Bharata. Various Talas were mentioned of course. 101 Talas were mentioned in Sangeeta Makaranda (Narada) and ...
Pre-Trinity Carnatic Composers
Pre-Trinity Composers Arunachal Kavi (1711 - 1788).Musical Background: Arunachala Kavi was well versed in Tamil, Sanskrit and Telugu, but his musical training is unknown.Region: He was born in Tillaiyadi in Tanjavur district, Tamilnadu.Contribution: He...
Practice guidelines for Vocal Carnatic Music
For morning session practise practise, always sing a note (Sa) for a long time. Go one note down and sing on a sustained way. Do like this in the lower octave till whichever note you can reach in the lower octave. This warms up the voice and also gives...
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