Vocal Music classes near me in Hauz Khas, Delhi

I have been conducting Guitar, Ukulele, Music Theory and Vocal lessons (Indian Classical Music) classes for the past 10 years, from the very basics to advanced levels, along with vocals on guitar. Throughout these 10 fruitful years, I have come across and taught learners of all ages, be they young children, teens, adults, or the elderly. In addition to my regular instructions, I always place an emphasis on fundamental musical knowledge, practice methods, and building musicianship skills. I conduct sessions with structured lessons for beginners so that one can learn the basics of instrument with ease. The basics are covered in almost six months, which includes overall anatomy, study, and playing. As music is a vast and endless subject, consistency, patience, and time are the keys to success when it comes to sharpening your skills on the instrument. There are two things I constantly focus on with every student: the technical and theoretical elements of music. Once the concept is clear, it gets easier to learn any other instrument. I teach Guitar, Ukulele, Hindustani Classical Vocals training, and Baritone Ukulele. Concept-based teaching methodology: • Guitar/Ukulele Anatomy. • Fingerstyle picking with chord progressions. • Plectrum picking: alternate exercises along with solos, scales, and tabs. • Chords: the caged form system of chords It is helpful in memorizing the chords on the entire fretboard. The CAGED system covers each and every chordal form on the guitar, which is very helpful in various genres of guitar playing. • Rhythm: playing rhythm in different time signatures. Later on, these time signatures are implemented with backing tracks and songs. • Various finger dexterity exercises. • Accompaniment to singing: It is the most crucial part of guitar learning. It doesn’t matter if the learner is a good singer or not. The motive behind singing with the guitar is to get the exact essence of rhythm along with swift and clean chord switching. • Introduction to scales, open scales, and CAGED-form scales. Improvisation with scales and forming melodious lead phrases. • Formation of intervals, scales, and chord progressions. • Modes: Musical modes organize the distinct tonalities present within the sequence of notes in any parent scale. Modes in music are scale-like patterns that can begin on any note of the scale, not just the root. Every note in the parent scale has its own chordal harmony. • The Circle of fifth concept, its use, and its implementation while playing. • Study and playing of Indian classical music through Sargam listening. • Study and playing of Western classical music through staff notation reading.

I can teach every topic very easily and make it stronger for the students.

I'm a 21 year old trained indian classical vocalist who has been training since 10 years. I have given tuitions to beginner level students. i can teach Bhajans, classical, semi classical, light, western as well. I have completed prabhakar- 6 year Diploma course of Indian classical vocal and still learning.

I'm a teacher. I give online tutions since 4 years. I'm certified with prabhakar degree which is B.A in Hindustani vocal music from Prayagraj Sangeet Samiti.

I am vocal music artist, I have been giving many home tutions to students to enhance their vocals, I have been certified in vocal music.

Best Online Learning for Kids Earthen Kids is a communicative and participative learning platform designed to ensure that learning never stops and the little, tiny tots get exclusive attention from their teachers, assisting them reach their developmental milestones. At Earthen Kids, we propose online learning for kids that caters all their needs and provide a safe, interactive learning at home. It has a perfect mix of live streamed focused classes, extracurricular activities and a better offer at creative articulation. our online education provides young children with an early learning opportunity.

We help and encourage our students to understand not only his/her instrument of learning but also to understand other instruments. For eg., a guitar student is encouraged to sing and play the instrument and understand drums and piano parts. Similarly a drummer is encouraged to know the vocal lines and understand the guitar & keyboard parts; likewise a bassist should understand drum grooves and guitar & piano lines. PSM specialises in contemporary western music. Apart from practical training, the syllabus covers music fundamentals of music theory, ear test, performance, music technology necessary for a complete education in music.

My way of teaching music is not bound to any set of rules. I believe that every art is a symbol of freedom and should be learnt that way. Each and Every style has features which when used together can create Masterpieces. I use the western singing techniques along with Hindustani techniques to teach music. I also teach Mic handling and help students fight the Stage Fear to perform confidently. My biggest advantage as a tutor is that there is fun involved in the sessions and its a two way learning process. I have seen people teaching the syllabus to the students and end the sessions with it. My focus is always on real learning where you know your voice more and how your body reacts to different experiments with voice. Its a very deep subject, not at all limited to any syllabus. I crave to know more and more about the different ways of using and building once vocals' strength which makes me passionate about what I do.

Mahuya is gifted with a very strong and melodious voice which is perfectly suitable for the Khayal and Thumri style of Hindustani music. Her soulful rendition of Ragas has kept the audience mesmerized and has won many appreciations and accolades. She is an artist of great caliber, having command on several genres like Khayal, Thumri, Kajri, Chaiti, etc. Systematic exposition of rag structure, brilliant phrasing, and variety of taan patterns – these are a few of the remarkable qualities of her singing. She belongs to Patiala Gharana , and was blessed enough to receive training in Hindustani classical under the guidance of Vidushi Sanjukta Ghosh, Pandit Shantanu Bhattachryaa ,direct disciple of Pandit Ajay Chakroborty and in semi classical from late Smt. Shipra Basu. Mahuya performed in various prestigious concerts including “Bharotio Nadonik Parishod” which is state government organization. Most notably, she is a regular performer of ALL INDIA RADIO as well as an empanelled artist of “Indian Council for Cultural Relations” (ICCR). She was awarded with “Sangeet Prabhakar” and “Sangeet Visharad” , from Prachin Kala Kendra. She was honored by the King of Hyderabad Nizam Raja and was invited to perform in his palace. Her mellifluous and resonant voice made her successful in India as well as abroad. Currently Mahuya is the director of the music department of ‘Kalpataru Arts’ academy New Delhi. Performance in India ________________________________________ • All India Radio, Hyderabad ( Sangeet Mahal, Thyag Raja Festival ) • “Swaranjali Sur Sandhya”, Indian Habitat Center, New Delhi • “Sangeetika”, Shri Ram Centre, New Delhi • “Neheru Children Museum” , Kolkata • “NAINA DEVI Festival”, Nainital • “All India Integration Camp” in Nainital & New Delhi • “Youth Festival 2005” on behalf of Rabindra Bharati University. • Faisalbaba Darber, Nizam Palace, Sumandal at Hyderabad • Jaipur Sangeet Festival • “Akheel Sangeet Sammelan”, Katni M.P • “Sangeet Nritya Mahotsab”, Udaipur • “Akhil Bharotio Sangeet Sanmelan”, Jodhpur • “Sur Tal Mahotsab”, Vrindavan • “Shastryia Sangeet Sandhya”, Balaji Temple, Salasar, Rajasthan • “Tansen Sangeet Sammelan”, Gwalior • “Malhar Utsav”, EPI Centre, New Delhi • “Purav ki Anga Holi ki rang”, Melody Foundation, New Delhi • “Sur Tal Mahotsav”, Agra • Performed In Punjabi University and was awarded ‘The Sunad Award of Honoar’ for Shastriya Gayan. • Recently performed at Patna, concert organized by Sangeet Natak Academy. • Recently performed at COUCIL FOR GLOBAL UNITY [CGU] Performances abroad: ________________________________________ • “Festival Internazionale OSA la Danze” (“International Dance Festival”), Ascona, Switzerland. • “Cenrtro Di Formazione Musicale”, Barasso, Italy. • A tour organised by “Culturall”- an Indian cultural organisation, in the major cities of Switzerland, like Thun, Lausanne, Luzern, Winterthur, Basel, Kreuzlingen. • “Centre Loisirs Et Culture”, Martingny, Germany. • Comune di Sesto Calende, Provincia di Varese, Italy. • Comune di Cassano Valcuvia, Varese, Italy. • “Offene Kirche Elisabethen”, Basel, Switzerland. • L’eglise Ste-Marie, Mulhouse, France. • “Deutsch-Indische Gesellschaft” (DIG), Mainz, Germany. • „Infinite Gratitude“ – a tour which purpose was to spread the Indian classical music in various cities of Romania, like Iasi, Campulung, Bistrita, Cluj, Bucharest. • „Namaste India“ Festival, Romania, Bucharest, where she presented, for the first time in Romania, the khyal style, being awarded a Certificate of Recognition for spreading the Indian culture overseas. Experience: ________________________________________ • Music Judge for “Horlicks Kids Widz” Competition, New Delhi. • Joined with a new group called "Music of India", a fusion musical association • Joined the “All India Integration Camp” as music teacher, in Nainital. • Worked as a music teacher at G.D Goenkan World School,Gurgaon • Touring in the major countries of Europe, holding concerts and music workshops in Switzerland (Geneva, Lausanne, Luzern, Kreuzlingen, Basel, Bern, Liestl, Thun, Winterthoor), Italy (Milan, Rome, Varese), France (Mulhouse, Paris), Germany (Frankfurt, Martingny,Mainz), Belgium (Gaint, Bruxelles), Bangladesh (Dhaka, Faridpur) • Winner of “Best Teacher Award” from Panchseel Public School, New Delhi • Joined as a music director during the summer camp organised “Sahitya Kala Parishad”, New Delhi • Composer and arranger of the “Garbha Sanskar”, a music therapy project for pregnant ladies, for “Johnson & Johnson”- www.babycare.com