Tabla Classes Fees

It totally depends on the intention of a student and from whom he wants to take a lesson. You have to select your Guru as per your need, level, practising eligibility. On this context, the fees are depending. It may defer from Guru to Guru as well as students.
From my side, I am taking Rs. 500/- per class in a week, i.e. four days in a month amounting Rs. 2000/-

Pakhawaj and Mridangam are both ancient Indian percussion instruments, but they have distinct differences:

*Physical Differences:*

1. Shape: Pakhawaj - cylindrical, Mridangam - barrel-shaped
2. Size: Pakhawaj - typically longer (25-30 inches), Mridangam - shorter (22-25 inches)
3. Material: Both - wood or fiber, but Pakhawaj often has a thicker shell

*Sound Differences:*

1. Tone: Pakhawaj - deeper, more resonant, Mridangam - sharper, more crisp
2. Pitch: Pakhawaj - lower pitched, Mridangam - higher pitched
3. Sonic range: Pakhawaj - wider dynamic range

*Playing Style Differences:*

1. Stroke patterns: Pakhawaj - emphasizes bold, powerful strokes, Mridangam - intricate finger movements
2. Syllable patterns (bols): Pakhawaj - uses distinct bols, Mridangam - uses more complex bols
3. Technique: Pakhawaj - focuses on palm strokes, Mridangam - emphasizes finger strokes

*Cultural and Musical Differences:*

1. Tradition: Pakhawaj - associated with Hindustani classical, Mridangam - associated with Carnatic classical
2. Region: Pakhawaj - originated in North India, Mridangam - originated in South India
3. Musical context: Pakhawaj - often accompanies vocal and instrumental music, Mridangam - integral to Carnatic music ensembles

*Other Key Differences:*

1. Tuning: Pakhawaj - tuned to a specific pitch, Mridangam - tuned to multiple pitches
2. Head material: Pakhawaj - often uses goat skin, Mridangam - uses cow skin or synthetic materials

These differences reflect the unique characteristics and roles of each instrument in Indian classical music traditions.

Playing the mridangam poses technical, physical, and musical challenges:

Technical Challenges:

1. Complex finger movements and strokes
2. Intricate syllable patterns (bols)
3. Maintaining precise rhythm and timing
4. Mastering various tonal variations and dynamics
5. Coordinating left and right hand strokes

Physical Challenges:

1. Building finger strength, endurance, and dexterity
2. Developing calluses and protecting hands from injury
3. Maintaining proper posture and hand positioning
4. Managing fatigue during extended performances

Musical Challenges:

1. Understanding complex ragas and taal cycles
2. Developing musical expression and nuance
3. Improvising and responding to melodic instruments
4. Balancing accompaniment and solo playing
5. Adapting to different musical styles and genres

Practice and Performance Challenges:

1. Finding qualified teachers and guidance
2. Accessing quality instruments and maintenance
3. Overcoming stage fright and performance anxiety
4. Collaborating with other musicians and adapting to ensemble dynamics

Cultural and Traditional Challenges:

1. Preserving traditional playing styles and techniques
2. Innovating within established musical frameworks
3. Bridging cultural and generational gaps
4. Respecting lineage and guru-shishya parampara (teacher-student tradition)

By acknowledging these challenges, mridangam players can better prepare themselves for the dedication, hard work, and passion required to master this revered instrument.