Let The Most Difficult Passage Set Your Tempo And Learn To Look Ahead

This tip I picked up years ago from a wise band director. It’s a smart way to set the tempo when you’re sight reading (You’ve never heard the piece before, so you can’t use your memory of what it sounds like for reference).

Of course you’re going to observe the composer’s tempo guidelines, but you’ll have room for interpretation as the performer. The most important thing when you’re choosing a tempo for sight reading is that it not prohibit you from getting through the piece successfully. And the most common tempo mistake made by inexperienced sight readers is to choose one that’s too fast.

The way to ensure that you don’t choose a tempo that’s too fast is to base it around the most difficult passage. While you’re looking over the music just before playing, find the part that looks most challenging. Finger through it on your instrument at the tempo you have in mind and be confident you can get through without making a slew of mistakes. If you don’t think you can, slow down the tempo a bit at a time until you have one that works.

People are often surprised to learn that advanced sight readers aren’t looking at the notes they’re playing. Rather they already looked at them, and are always looking at least a few beats ahead of where they’re playing.

Think about it. You’re sight reading, so you’ve never seen this music before, save the brief moment you had to look it over before you started playing. If you’re just taking in the notes one at a time as you’re playing them, you’re setting yourself up for disaster. Imagine driving a car and only watching the spot of pavement that’s visible just over the hood.

You need to learn how to be reading one measure while playing the measure that came before it. The coordination is a bit tricky, but it’s well worth the time investment to learn this skill.