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Priyo Raj
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The perception that voice culture in Carnatic music is "bad" is subjective and often comes from comparisons with Hindustani or Western classical singing. However, Carnatic music has its own unique approach to vocal training that prioritizes precision, gamakas (oscillations), and expressive delivery over a "smooth" or "polished" tone.
Why Does Carnatic Singing Sound Different?
1. Heavy Use of Gamakas (Ornamentation)
Unlike Hindustani music, where notes are often sustained smoothly, Carnatic music relies heavily on gamakas (oscillations and rapid note variations).
These gamakas are integral to ragas and make the voice sound more textured and dynamic, which some may perceive as "rough" or "unrefined."
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The claim that Carnatic music's "voice culture" is bad is a subjective opinion, and the reality is more nuanced. While some might find certain vocal techniques or pronunciations less clear, Carnatic music places a strong emphasis on elements like melody, rhythm, and improvisation, which sometimes take precedence over the clarity of lyrics. Additionally, factors like poor acoustics, recording quality, and the complexity of the music itself can affect the perceived clarity of vocal delivery.
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