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Lesson Posted on 12/10/2020 Learn Music & Dance +5 Music Instrumental Music Flute Violin Carnatic Music

BRAHMA MURARE (LINGASHTAKAM) - RAGAM: SIVARANJANI - THALAM: ADHI

Vijith V T

I am an experienced, qualified software trainer, computer teacher, mentor and carnatic violinist. Currently...

ARO: S R2 G1 P D2 S AVA: S D2 P G1 R2 S * indicates lower octave. Stanza 1 (Same for Stanza 2,4,5,7,8) brahmamur ri sur rchita li ga S, RG G, GR G, GR G, RS nirmalabh sita obhita li gam | R, RS R, Sd* S, RG R,R, janmaja du kha vin aka li ga S, RG P, PP P, DP G, R, tat-pra... read more

 ARO: S R2 G1 P D2 S   AVA: S D2 P G1 R2 S

* indicates lower octave.

 

Stanza 1  (Same for Stanza 2,4,5,7,8)

brahmamurāri surārchita liṅgaṃ

S, RG  G, GR  G, GR  G, RS

nirmalabhāsita śobhita liṅgam |

R, RS  R, Sd*   S, RG  R,R,

janmaja duḥkha vināśaka liṅgaṃ

S, RG  P, PP  P, DP  G, R,

tat-praṇamāmi sadāśiva liṅgam || 1 ||

S, RG  R, Sd*   R,SS  S, S,

 

Stanza 3 (Same for Stanza 6)

sarva sugandha sulepita lingaṃ

P, PP  D, DD  D1, D1D1  P, P,

buddhi vivardhana kāraṇa liṅgam |

P, PP  D, DD  D1, D1DP, P,

siddha surāsura vandita liṅgaṃ

G, PG  P, DP  G, PG  R, R,

tat-praṇamāmi sadāśiva liṅgam

S, RG  R, Sd*   R,SS  S, S,

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Lesson Posted on 05/05/2020 Learn Music +1 Hindustani Music

Palte For beginners

Priya Bhagat

Music academy "Swar sadhana mandir". I have been teaching from last 6 years after doing visharad in hindustani...

1 aroh: sa re ga ma pa dha ni sa avroh: sa ni dha pa ma ga re sa 2 aroh: SaReGa ReGaMa GaMaPa MaPaDha PaDhaNi DhaNiSa avroh: SaNiDha NiDhaPa DhaPaMa PaMaGa MaGaRe GaReSa AROH means the assessing order of swaras AVROH means the descending order of swaras 3 Aroh: SaReSaReGa ReGaReGaMa GaMaGaMaPa... read more

1 aroh: sa re ga ma pa dha ni sa

 avroh: sa ni dha pa ma ga re sa

2 aroh: SaReGa ReGaMa GaMaPa MaPaDha PaDhaNi DhaNiSa

avroh: SaNiDha NiDhaPa DhaPaMa PaMaGa MaGaRe GaReSa 

▪️AROH means the assessing order of swaras

▪️AVROH means the descending order of swaras 

3 Aroh: SaReSaReGa ReGaReGaMa GaMaGaMaPa MaPaMaPaDha PaDhaPaDhaNi DhaNiDhaNiSa

 Avroh: SaNiSaNiDha NiDhaNiDhaPa DhaPaDhaPaMa PaMaPaMaGa MaGaMaGaRe GaReGaReSa

▪️ to learn and practice paltas are important beacuse 1st it is the ABCD of music and after learning to practice it beacuse it gives exercise to our throat!!

 Good Luck Keep Singing

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Answered on 05/04/2020 Learn Hindustani Music

Janhavi Mishra

Music Teacher of hindustani music

Two types of Sangeet Padhati: Hindustani Sangeet Oadhati and Karnatik Sangeet Padhati. It's style of sangeet.
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Answered on 14/05/2021 Learn Carnatic Music

Nishant Chopra

Music student gives indian classical lessons

You should learn classical music because classical music is base; if you learn classically, you also easily sing western or Bollywood or any genre songs.
Answers 22 Comments 1
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Answered on 06/06/2021 Learn Carnatic Music

Sujaya

Aruna Sairam is the best Carnatic singer.
Answers 8 Comments 1
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Answered on 27/01/2021 Learn Carnatic Music

Shruthilaya Ravi

Carnatic Vocal, Indian Classical Music, Singing

Thillana is mainly sung for Classical dance in a concert.
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Lesson Posted on 07/08/2017 Learn Hindustani Music +1 Hindustani Singing

A Brief Summary of Naad : Indian Classical Music

Vikas

I have learnt Indian Classical Music in Guru Shishya parampara for over 11 years and I have been teaching...

Naad is the base of all vibrations and much more than just frequency. Aahat naad is whatever we hear, speak or sing; frequency of sound that we can hear. And then there is Anhad naad (Anaahat naad), which we cannot hear. Anhad Naad can be called as the energy vibration of our inner self or our soul... read more

Naad is the base of all vibrations and much more than just frequency.

Aahat naad is whatever we hear, speak or sing; frequency of sound that we can hear.

And then there is Anhad naad (Anaahat naad), which we cannot hear.

Anhad Naad can be called as the energy vibration of our inner self or our soul (jeev, praan or atma. It may be different or the same yet relatable to Anhad Naad. Omkar or Onkar or just Om is the closest representation of Anhad Naad and a path in itself to achieve it, while Aahat Naad is just a reflection of it.

‘Sadhna’ of this Aahat Naad gives one a chance to achieve the Anhad Naad and knowing oneself completely.

“Aahat saadhi saadhi sukh paave

‘Anang Rang’ taako sahaj nis taare.

Anhad Naad antar goonje,

Aahat Naad taako prakash”

Composition by Acharya K.C.D. Brahaspati (Great Vaggeyakaar of his time).

Please connect for any kind of clarification or guidance if needed.

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Lesson Posted on 13/05/2017 Learn Carnatic Music

MARGA-DESI Talas- A note:

Pantula Gopala Rao

Aged 76 years; Family of Musicians; learnt music from young age under reputed Gurus and obtained degrees...

Note on Maraga- Desi Talas Bharata’s Natya sastra contains detailed description of Tala Sastra. No List of Talas was given by Bharata. Various Talas were mentioned of course. 101 Talas were mentioned in Sangeeta Makaranda (Narada)... read more

                                                          Note on Maraga- Desi Talas

  1. Bharata’s Natya sastra contains detailed description of Tala Sastra. No List of Talas was given by Bharata. Various Talas were mentioned of course. 
  1. 101 Talas were mentioned in Sangeeta Makaranda (Narada) and                                                                                        Sangeeta Samaya Sara (Parswadeva). 
  1. Prominent Tala system is Ashtottara sata (108) Talas. 
  1. Talas were divided into TWO groups – i) MARGA TALAS and ii) Desi Talas. This division is analogous to Marga –Desi  Sangeeta and  Marga-Desi  Ragas 
  1. First Five Talas of ASHTOTTARA SATA TALAs  is grouped as MARGA TALAs.

            Rest of the 108 Talas are (105) DESI TALAs. 

  1. The number of DESI talas was mentioned differently:

             Sangeeta Ratnakara      (Sarngadeva)(1203-1247 AD)  ----------------    120 Desi Talas

             Ragatala Chintamani     ( Poluri Govinda Kavi)(early 17th Century AD) :  124

             108 Tala System    --------------------------                                        :  105   etc. 

  1. MARGA TALAS, (first 5 of 108 Talas) are: CHACCHATPUTA, CHACHAPUTA, SHATPITAAPUTRIKA,

                                                                         SAMPADWESTIKA and UDGHATTA

             MATRAA GANA system is followed in Marga Talas. 

                        Marga Tala           Talangas:    

                                                  I

             1.  CHACHCHATPUTA:     88I8

              2. CHACHAPUTA        :        8II8

                                                           I

           3.SHATPITAPUTRIKA:       8I  88I8  

                                                 I       I

           4.SAMPADWESTIKA   :      88888

           5.UDGHATTA              :       888

 

 

 

                   

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Lesson Posted on 22/02/2017 Learn Hindustani Music +2 Vocal Music Singing

What is 'Naad'?

Ananya Ghosh

I am carrying more that 20 years of singing career. Now I am more focused on my teaching career. I am...

Naad means 'The essence of all sound', it is a perticular vibration, a fundamental frequency that comes from one common source or sound current. The sound , which can be used for music is called naad and the sound which cann't be used for music called noise . The sound that comes in use of Music with... read more


Naad means 'The essence of all sound', it is a perticular vibration, a fundamental frequency
that comes from one common source or sound current. The sound , which can be used for music is called
naad and the sound which cann't be used for music called noise . The sound that comes in use of Music
with sounds melodious to ears and gives joy to our soul. There are two types of Naad "Ahata" and "Anahata".

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Answered on 06/07/2020 Learn Carnatic Music

Darryl B

Yesterday is history,tomorrow is a mystery but today is a gift.That is why it is called the present

Notations in simple words are like how you have letters in English; in the same way, you have musical notations to read the music.
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