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Beginner Tabla Course

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Patpar Ganj, Delhi

Course ID: 30460

Patpar Ganj, Delhi

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About the Course

The tabla is a South Asian membranophone percussion instrument (like bongos) comprising of a pair of little drums. It has been an especially vital instrument in Hindustani classical music since the eighteenth century, and stays being used in India, Pakistan, Nepal, Bangladesh, and Sri Lanka. The name tabla likely originates from tabl, the Persian and Arabic word for drum. However, a definitive starting point of the musical instrument is contested by scholars, some following it to West Asia, others following it to the advancement of indigenous musical instruments of the Indian subcontinent.

Tabla instrumental music lessons online from india: ustad abdul kareem khan sangeet vidhaylaya

The popular, experienced Tabla instrumental music teachers in Ustad Abdul Kareem Khan Sangeet Vidhaylaya faculty - the Tabla masters instructing how to play Tabla musical instrument teach the art and technique of playing the traditional classical Indian instrumental music form to the worldwide Tabla students in a non ?? competitive, committed and disciplined way through live, one-on-one, interactive online Tabla lessons, facilitated on Skype, following the well-known, age old 'Master - Shishya Parampara' (Indian Teacher - disciple system), in a family like sacred atmosphere.

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Basic strokes

Some basic strokes with the Dayan on the right side and the Bayan on the left side are:

Ta: (on Dayan) Striking sharply with the pointer against the index finger while at the same time applying tender pressure to the edge of the syahi with the ring finger to stifle the principal vibration mode.

Ghe or Ga: (on Bayan) holding wrist down and angling the fingers over the syahi; the center and ring-fingers then strike the maidan (resonant)

Thin: (on Dayan) placing the last two fingers of the right hand softly against the syahi and striking on the border between the syahi and the maidan (resonant)

Dha: combination of Na and Ghe

Dhin: combination of Tin and Ghe

Ka or Kath: (on Bayan) striking with the flat palm and fingers (non resonant)

Na: (on Dayan) striking the edge of the syahi with the last two fingers of the right hand

Te: (on Dayan) striking the center of the syahi with the middle finger (non resonant)

Tu | Tun: (on Dayan) striking the center point of the syahi with the index finger to energize the essential vibration mode (resonant)

Dhere Dhere (on Dayan) striking of syahi with palm

Date and Time

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About the Trainer

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Rashid Niyazi

Diploma in Tabla from Prayag Sangeet Samiti, Allahabad

18 Years of Experience

The son of famous harmonium player Ustad Karim Niyazi, start learning under the guidance of Tabla Maestros Ustad Hasmat Ali Khan and Ustad Akram Khan of Ajrara Gharana Meerut, Uttar Pradesh.

He has performed & Felicitated at Muscut Festival in Oman, Kal ke Kalakar in Mumbai, Sangeet Kalakar in Mumbai, Chintamani Festival in Mumbai, Motonga Festival in Mumbai, Harballabh Festival in Jalandar Punjab, ETV Channel's Tabla Player, Prasar Bharti Doordarshan's recording Tabla Player and in All India Radio Akashwani. Played with renowned artists such as Ustad Shahid Parvez, Ustad Ghulfab Khan, Ustad Karim Niyazi, Ustad Amjad Ali Khan, Ustad Kamal Sabri.

He has thought Tabla to kids and adults likewise since 1997 in 5 different Schools & 3 Music Institutes. Currently is Visiting Faculty in 3 Music Institutes.

Part-time, Rashid Niyazi is also a good Singer especially Ghazals & North Indian Music. Also have novice knowledge & can play Dholak, Harmonium & Congo.


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